![]() |
Just call me Inspector Gadget |
Why is this on my mind right now? Well, it's because of the current discourse surrounding artificial intelligence. Look, I know the score. We've been using AI for years. Without realising it, most of the time. This article is from 2019. I deliberately found something from a while back, to show how people have been climbing aboard the AI train without much thought. Me too, natch. And you know what? Fair play! Having my Hotmail account (mostly) spot the spam and send it straight to Junk, is good. It makes my life better, not having to wade through gross crap from bots and pervs. Carry on!
But back to the topic in hand. I said there'd been a load of AI discourse lately, and there has. I see it in publishing chat, a lot. Because whilst there are some decent ways we can use AI and not feel like we're compromising on something fundamentally good, it's not always the case.
I was talking about this to a mate recently. She'd started to use ChatGPT for work - to get ideas for presentations to clients while she wrote them. It posed a question. (Full disclosure: I can't remember if I asked it. Wine had been taken. ) The question was, 'Why would she think an AI program would give her a better result than her own brain? Or her selected trusted sources that humans had written? When AI is comprised of pulling generic stuff from a load of random, unchecked places, why would a mishmash of derivative information be better than what she could produce herself? Particularly when she knows the specific needs of her client base. I think I know the answer. It's because it's quicker. It cuts a corner but gives her more time for the rest of her job. And I guess that makes sense. I can see why that would be good when your day is comprised of a million other things.
But it's not that simple for everyone. When your entire job is the artistic creation of chapters, verses, or scripts, perhaps the ability for someone to generate a bland and basic facsimile of your content is NOT the way forward. This is the issue that the publishing industry is grappling with at the moment.* How can we protect creative professionals and their intellectual property, in the face of the rise of AI? That's the question currently being debated between anyone linked to publishing. I'm sure other areas of the arts are having similar convos.
That's not all though. A recent Atlantic article broke how Meta (that's Facebook and Insta and whatnot) have been using published authors' work to train their AI engine. No one had been informed about it before the fact. No one had been paid for their work. It is only possible to check if your content had been stolen by using the handy search tool in the article. So far, mine has not. But many authors - both traditionally and self-published - have had their copyrighted work ripped off to train Meta's AI tools.
![]() |
A weeping Shakespeare laments his lack of copyright. |
The UK Government recently had a consultation period about AI. Their AI playbook released in February, gives the impression they're quite keen on its possibilities. The Society of Authors held a protest last week. Targeting Meta, they focused on the illegality of intellectual property theft. The Writers' Guild have likewise been advising their members how to fight back in the face of their industry being swallowed up without much thought. Indeed, my own Government consultation response, that I wrote based on the notes from ALCS, focused on the need for exemptions for copyrighted work. It seems that whilst people are on board with making life easier and processes quicker, they're not thinking about the effects on culture.
We all access culture. We all devour the products of creativity. Most of us chill out at the end of the day with a binge-watch. (I've recently hoovered up The Residence on Netflix. It was a whimsical delight!) Viewing the pitch from a purely writing perspective, we know how much society absorbs written stories. Whether it's books, films, or soap operas, we're obsessed with the lives of others. Hey, take the film, The Lives Of Others. Would an AI engine create the beautifully nuanced story of one man's journey from a cold rule-based Stasi officer, to someone who learns the value of poetry and expands his inner world, all whilst visibly remaining the downtrodden automaton he's always been? There's no way! The churned out script would be stereotypical fluff. It'd be heavy handed and dull. It might be quicker than writing a film from scratch, but it would be far crapper by comparison.
All this is to say, that while I'll still watch films that an algorithm has suggested, or use my satnav whenever I'm in a new place, I plan to keep a discerning eye on new tech as it pops up. Does this technology make my life easier AND better? It's got to be two for two. Anything else can be swerved.
In terms of my books, I'm committed to refusing to use AI in my writing. Why would I? My brain created Leeza McAuliffe and that's where I'll go for her subsequent exploits. Likewise, my front covers are created by a human artist. Gary is his name. He's boss. Could I create something usable with AI tools? Maybe. Would I want to? NO! I want them to be brilliant. I want an artist and designer whose work adds value to my own. Not a quick and easy rip off of other people's intellectual property. It's as simple as that. So while the Government is looking at ways that AI can improve productivity and cut spending in Westminster, it needs to recognise that it's not that simple. Creative industries will be adversely affected if there are no restrictions and exemptions. And with that, the quality of the telly, novels, theatre, even the adverts we consume, will deteriorate. Like I said at the top, I'm no Maggie Philbin or Judith Hann, but I'm no technophobe either. Make my life easier AND better. That's the challenge. When it comes to creativity, I don't think it's something AI can ever hope to achieve.
Have a lovely week, folks.
*Interesting aside. As I typed this sentence, the predictive text element of Blogger wanted me to write '... This is the issue that the publishing industry is grappling with at the Monet.' Sheeeeesh.
**To be absolutely accurate, copyright law didn't exist in Shakespeare's time. But nowadays, copyrighted material becomes fair game for public use, seventy years after the death of the person that holds copyright. Every year there's a new batch of cultural output that - for example - an author can quote in their own work without getting permission or paying for. This is why I used Ralph Waldo Emerson's writing as an opening quote in Carry the Beautiful.
*** Here's an example of AI's limitations. A few weeks ago, you may remember, I wrote a eulogy for my laptop. While posting it on Bluesky, I chose a fabulous Gif to accompany my words. Joan Collins, as Alexis Carrington, is dressed to the nines in funereal black. She's wearing a hat with mesh veil over half her face, and she's tearfully standing at a graveside. In the three second gif, she looks down at the grave, has an emotional swoon, and then throws herself into the arms of a burly hunk standing behind. I chose the Gif so its camp comedy could accompany my tongue-in-cheek writing. But! When I clicked to add the ALT text (the text that describes it for visually challenged readers) there was already an AI suggestion typed into the box. I could accept it, or type my own version over it. The suggestion AI had come up with was, 'A woman wearing a black hat with a veil over her face.' This is the most one-note, basic description of what was, in reality, some camp-as-tits, dramatic, visual hyperbole. Reader, you'll be pleased to know, I wrote over that suggestion with my own description.